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Part I · The Invitation · Chapter 1 · An opening excerpt

The invitation

Isla Grey writes obituaries for people who are still alive. Then one of the richest men in America asks her to write his—and come to his island to do it.

The Presumptive Heir cover by JD Eells

Isla Grey specialized in preparing important people for the language that would follow their deaths. The work did not quite have a name.

She wrote obituaries for people who were still alive.

Not celebrities. Celebrities had publicists, assistants, and newspapers with files prepared years before anyone needed them. Isla's subjects occupied a more private tier of importance: regional financiers, retired judges, discreet philanthropists, minor royals from countries most Americans could not find on a map. People who had accumulated enough money to fear being summarized by a stranger.

The Westridge Daily Times hired Isla on contract to interview them while they were alive and assemble obituary files the paper could publish when the time came.

At first, the assignments arrived often enough to suggest she had found a career. She wrote eight obituaries in one month and assumed a staff badge, a reporting desk, and better money would follow. None did. The bylines went to salaried reporters, her freelance rate never rose, and the calls gradually thinned. Westridge still supplied nearly all her income. Lately, it barely covered rent.

At nine on Monday morning, she entered the glass lobby of the Westridge Daily Times in downtown Boston and knew something had died before Warren Fields told her what it was.

The newsroom was too quiet. On ordinary mornings, somebody swore at the publishing software, a dispatcher's clipped voice came from the police scanner, and steam burst from the ancient coffee maker. Today the reporters sat with their screens dark and their phones facedown. No one looked at her as she crossed the bullpen.

Warren waited outside his office. He was sixty, broad through the middle, and dressed in a checked blazer that had fit him during a happier administration. His mug said LET ME DIE AT MY DESK. Isla had bought it for him two Christmases ago. It no longer felt amusing.

"Grey. Thanks for coming in."

"Your message sounded serious."

"It is." He held his office door for her.

The blinds were closed. Warren did not sit behind his desk. He stayed beside it, turning the mug in both hands while Isla took the visitor's chair.

"They're calling it a strategic sunset," Warren said. "We're closing, Grey. Six months. That's what they're giving us."

For several seconds Isla heard nothing but the faint rattle of the vent above his filing cabinet. Then her pulse came back all at once, hard enough to make the room feel smaller.

"The whole paper?"

"Website, print edition, archives if nobody buys them. Everything."

She had watched her assignments thin for months and told herself the decline was temporary. She had not expected the paper itself to disappear. Every plan she had made for the next year still depended on its survival. Anger arrived before panic, hot and clarifying.

"What happens to my contracts?"

"The commissioned pieces will be paid. After those, I haven't got anything for you." Warren leaned against his desk. "You should be applying for reporting work."

"I've been asking you for reporting work."

"I know. I kept needing someone on the obituaries, and you kept saying yes." He looked at her. "That wasn't a reason to keep you there."

The apology irritated her more than an excuse would have. It had arrived at the precise moment it could no longer cost him anything. Heat climbed her throat and settled behind her eyes.

"Twenty-three applications," she said. "Four interviews at the Post alone. I thought—" She had meant to explain the sequence. He knew the sequence. "I thought I'd get a chance here."

Warren lowered his eyes to the mug. He had no answer she hadn't heard before.

She stood, then gripped the chair when her knees weakened. Warren watched her notice. His hand moved toward the drawer where he kept freelance packets, then stopped. The queue had been empty since Thursday.

"There may be one final assignment," Warren said. "A private one. The inquiry arrived Friday. I gave them your name."

"Did they ask for me?"

"They asked who did our advance obituaries. I told them you were the best person we had."

She wanted to believe he had said it that way. That embarrassed her more than needing the work.

Someone tapped at the office door. The receptionist held a heavy cream envelope with a dark red wax seal.

"Courier brought this for Ms. Grey. He wouldn't leave it at the desk."

She slid the envelope into her shoulder bag without opening it. Everyone in the newsroom had received the same news, and they had begun watching one another react. She wanted to be outside before anyone watched her.

The October wind off the harbor pressed her coat against her ribs. Isla made it one block before the tears came. She scrubbed them away and stopped beside a parking meter until she could see clearly. She was thirty-three, good at work that rarely carried her name, and six months from losing the client that paid her rent.

She stopped at a bakery near Post Office Square, bought coffee she did not want, and opened her banking app because arithmetic was easier than grief. After rent, insurance, and quarterly taxes, she had enough for eleven careful weeks. The paper might send one or two final assignments. She no longer trusted might as a budget category.

She closed the banking app and reached for her phone to tell someone what had happened. Her thumb stalled over the contacts.

Her mother, Caroline Grey, had died of cancer five years earlier. Her father was a blank line on every form and a subject Caroline had trained her not to touch. There were sources, former classmates, and a dentist who sent automated birthday wishes. The last friend to suggest dinner had stopped after Isla canceled four times for deadlines. She put the phone away and felt the cream envelope against her knuckles.

The wax carried a broken-crown insignia. Her name had been written in gold ink: MS. ISLA GREY. Beneath it was a return address she recognized before she recognized the sender.

ERIS HOUSE, ERIS ISLAND, MAINE.

The name on the back read VICTOR HARGRAVE.

Isla stared at it long enough for her coffee to cool.

Hargrave had built an industrial conglomerate out of shipping, defense logistics, and a talent for purchasing competitors shortly before they understood they were for sale. His fortune had survived three recessions, two federal investigations, and a divorce whose sealed filings had generated their own category of rumor. He had once owned newspapers, including the Oregon Post during the year Isla applied there.

She broke the seal.

The letter was brief.

Ms. Grey,

I require an obituary written by someone who has never needed my approval. You were recommended as a writer who knows the difference between a life and the story told about it.

I have terminal cancer. I expect this to be my last opportunity to speak for myself.

You will spend seven days at Eris House, observe the reading of my final testament, interview the interested parties, and prepare an account I may review before my death. Your fee will be twenty-five thousand dollars. Transportation and expenses will be provided.

You should also know that I remember your application to the Oregon Post. The final decision was mine. I owe you an explanation, although you may decide it is not an apology.

If you accept, call the enclosed number before five o'clock. A launch departs from Rockland tomorrow afternoon.

Victor Hargrave

Isla read it twice. The first time she saw the money. The second time she saw the sentence about the Oregon Post.

End of this online sample.