Part I · The Invitation · Chapter 1 · An opening excerpt

The invitation

Isla Grey writes obituaries for people who are still alive. Then one of the richest men in America asks her to write his—and come to his island to do it.

The Presumptive Heir cover by JD Eells

Isla Grey specialized in preparing important people for the language that would follow their deaths. The work did not quite have a name.

She wrote obituaries for people who were still alive.

Not celebrities. Celebrities had publicists, assistants, and newspapers with files prepared years before anyone needed them. Isla's subjects occupied a more private tier of importance: regional financiers, retired judges, discreet philanthropists, minor royals from countries most Americans could not find on a map. People who had accumulated enough money to fear being summarized by a stranger.

The Westridge Daily Times hired Isla on contract to interview them while they were alive and assemble obituary files the paper could publish when the time came.

At first, the assignments arrived often enough to suggest she had found a career. She wrote eight obituaries in one month and assumed a staff badge, a reporting desk, and better money would follow. None did. The bylines went to salaried reporters, her freelance rate never rose, and the calls gradually thinned. Westridge still supplied nearly all her income. Lately, it barely covered rent.

At nine on Monday morning, she entered the glass lobby of the Westridge Daily Times in downtown Boston and knew something had died before Warren Fields told her what it was.

The newsroom was too quiet. On ordinary mornings, somebody swore at the publishing software, a dispatcher's clipped voice came from the police scanner, and steam burst from the ancient coffee maker. Today the reporters sat with their screens dark and their phones facedown. No one looked at her as she crossed the bullpen.

Warren waited outside his office. He was sixty, broad through the middle, and dressed in a checked blazer that had fit him during a happier administration. His mug said LET ME DIE AT MY DESK. Isla had bought it for him two Christmases ago. It no longer felt amusing.

“Grey. Thanks for coming in.”

“Your message used the phrase ‘time-sensitive development.’ I assumed either the building was on fire or Legal had learned a new euphemism.”

He held his office door for her. “Legal has learned several.”

The blinds were closed. Warren did not sit behind his desk. He stayed beside it, turning the mug in both hands while Isla took the visitor's chair.

“They call it a strategic sunset,” he said. “Six months. Then the owners shut down the website, stop the presses, and sell whatever remains. Westridge is finished.”

For several seconds Isla heard nothing but the faint rattle of the vent above his filing cabinet. Then her pulse came back all at once, hard enough to make the room feel smaller.

“The whole paper?”

“Website, print edition, archives if nobody buys them. Everything.”

She had watched her assignments thin for months and told herself the decline was temporary. She had not expected the paper itself to disappear. Every plan she had made for the next year still depended on its survival. Anger arrived before panic, hot and clarifying.

“So I'm being fired in installments.”

“Not today. But the freelance budget is frozen. I may have one or two contracts left, and nothing after the closure.” Warren set the mug down and leaned against his desk. “You need to start looking. Investigations. Research. Long-form work. The reporting job you wanted before I kept assigning you obituaries.”

“You assigned me every one of them, Warren. Every time I asked to report, you handed me another wealthy corpse and called it steady work.”

He accepted that without defending himself. “You deserved a chance. I should have given you one.”

The apology irritated her more than an excuse would have. It had arrived at the precise moment it could no longer cost him anything. Heat climbed her throat and settled behind her eyes.

“I applied for twenty-three reporting jobs before I started doing this,” she said. “Four interviews at the Oregon Post alone. You know what every editor told me? I had the instincts but not the experience. Apparently experience is something you obtain after somebody hires you for the job requiring it.”

“I know.”

“No. You know now. Knowing two years ago might have required you to do something.”

Warren looked down at the mug. “You're right.”

“Oh, don't agree with me. I had another three minutes of righteous fury prepared.” Her laugh came out thin and wrong. She stood, then gripped the chair when her knees objected. Warren watched her notice, which made humiliation join the meeting. His hand moved toward the top drawer where he kept freelance packets, then stopped. There was no ordinary assignment waiting for her. The queue had been empty since Thursday.

“There may be one final assignment,” Warren said. “A private one. The inquiry arrived Friday. I gave them your name.”

“You spelled it correctly?”

“I copied and pasted.”

Isla's mouth lifted at one corner. Warren relaxed when he saw it, which made her regret the reaction.

As she stood, someone tapped at the office door. The receptionist held a heavy cream envelope with a dark red wax seal.

“Courier brought this for Ms. Grey. He wouldn't leave it at the desk.”

Warren glanced at the seal. “Looks cheerful.”

“Maybe I've been accepted at wizard school seventeen years late.”

She slid the envelope into her shoulder bag without opening it. Everyone in the newsroom had received the same news, and they had begun watching one another react. She wanted to be outside before anyone watched her.

The October wind off the harbor was cold and damp. It pressed her coat against her ribs and chilled the wet corners of her eyes. Isla made it one block before the tears came: hot, furious, and humiliating. She scrubbed them away and told a gull on a parking meter to go to hell. It stared back with the untroubled confidence of a creature with no rent. Isla was thirty-three years old, good at a profession nobody knew existed, and six months from losing the assignments that paid her rent.

She stopped at a bakery near Post Office Square, bought coffee she did not want, and opened her banking app because arithmetic was easier than grief. After rent, insurance, and quarterly taxes, she had enough for eleven careful weeks. The paper might send one or two final assignments. She no longer trusted might as a budget category.

She closed the banking app and reached for her phone to tell someone what had happened. Her thumb stalled over the contacts.

Her mother, Caroline Grey, had died of cancer five years earlier. Her father was a blank line on every form and a subject Caroline had trained her not to touch. There were sources, former classmates, and a dentist who sent automated birthday wishes. The last actual friend had stopped suggesting dinner after Isla canceled four times for deadlines. Somewhere along the way, work had become her friend, her family, and her most convincing excuse for being alone. Now work had six months to live. Even her imaginary friend was firing her. Isla shoved the phone into her bag, struck the cream envelope with her knuckles, and remembered it.

The wax carried a broken-crown insignia. Her name had been written in gold ink: MS. ISLA GREY. Beneath it was a return address she recognized before she recognized the sender.

ERIS HOUSE, ERIS ISLAND, MAINE.

The name on the back read VICTOR HARGRAVE.

Isla stared at it long enough for her coffee to cool.

Hargrave had built an industrial conglomerate out of shipping, defense logistics, and a talent for purchasing competitors shortly before they understood they were for sale. His fortune had survived three recessions, two federal investigations, and a divorce whose sealed filings had generated their own category of rumor. He had once owned newspapers, including the Oregon Post during the year Isla applied there.

She broke the seal.

The letter was brief.

Ms. Grey,

I require an obituary written by someone who has never needed my approval. You were recommended as a writer who knows the difference between a life and the story told about it.

I am dying. This is neither metaphor nor negotiation. It has, however, simplified the guest list.

You will spend seven days at Eris House, observe the reading of my final testament, interview the interested parties, and prepare an account I may review before my death. Your fee will be twenty-five thousand dollars. Transportation and expenses will be provided.

You should also know that I remember your application to the Oregon Post. The final decision was mine. I owe you an explanation, although you may decide it is not an apology.

If you accept, call the enclosed number before five o'clock. A launch departs from Rockland tomorrow afternoon.

Victor Hargrave

Isla read it twice. The first time she saw the money. The second time she saw the sentence about the Oregon Post.

End of this online sample.